NAMM 2017 News: StudioElectronics announced TONESTAR 8106 Eurorack Module

At NAMM 2017, StudioElectronics announced some very interesting new Eurorack modules. More informations check below. Also at NAMM, the company announced the 8106 Filter module and other modules. Unfortunately, I don’t find any informations about these modules on their website. 


TONESTAR 8106, an ARP® 2600-inspired complete synth, infuses Tim Caswell’s “Jupiter to Juno” filter alchemy—a 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module—into our Tonestar 2600 platform; this chirpy yet full-bodied 8106 model is also fully #OutsToOuts modular featuring 27 pots—one more that the 2600 model for the high-pass filter, 6 switches—one less, sacrificing resonance modulation for that high-pass filtering, and 21 jacks. If the Tone☆ 8106 thins somewhat with resonance excess, route the triangle wave ’round the VCF with the “NO VCF” switch setting, and keep this juicy reimagining of the Roland® IR3109 module boomin’ and gloomin’.

“The VCO is the same affair as the Oscillation, the Boomstar, and the Omega. It’s kind of a combination of Arp®, Oberheim® and Moog® circuits (sort of a greatest hits), time-tested, very stable—very good tracking over a very large range; certain parts have to be hand selected to achieve that level of exacting performance. 

Envelope FYI: The Tonestar Sustain control replicates the behavior of the 2600 and Odyssey: after the initial Decay, it continues to move (sink) very slowly, adding a little extra texture to the sound. It’s technically a flaw, but after digging out my Odyssey, it is for sure a desirable “quirk”, and the perfect companion to the 4072 filter (which we mistakenly titled a 4075 in the Boomstar Modular line).

Another bit of fun: The LFO is voltage controlled, so you can envelope, LFO, or otherwise modulate both the rate and the depth; the ADSR amount is also voltage controlled, so it can be manipulated by MIDI dynamics, MIDI volume, an LFO, etc. Greg [St. Regis] has decreed that anything must be patchable to anything, so some technically wrong patchings (for example, pulse wave out to ADSR out) may often produce unexpectedly interesting, x-mod/notch filtering—quite pleasing effects.

The Tonestar was Greg’s concept, but as I understood it, the goal was a single oscillator, 2600 VCF (initially), pre-patched and yet fully modular classic synth voice, at a specific size, wielding every trick we could cram in. Main use would be as a go-to bassline/lead tool, or a premium quality, entry-level, complete synth module, for root-to-leaf sound design, and multiform analog exploration/expression.”

More Informations here: StudioElectronics TONESTAR 8106 

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